A r t - F a s h i o n - P o r t r a i t - S t r e e t - T r a v e l - P H O T O G R A P H Y
Tuesday, December 27, 2011
Fencing with Cucumber - Urban Olympics
Something I played when I was a kid ... fencing with any long object in my hand. I bet any boy who watched or read about the 3 Musketeers done the same.
Photographer: Bugra Ergil (Bruce)
Stylist: Wendy Ford
Makeup artist: Sandy Monica
Model: Michael
Assistant: Anup Kumar Pandey
Sunday, December 18, 2011
Press Pause Play
Recently I've written a essay about Fashion Journalism "In what ways internet changed fashion journalism" and some how in my research I come up to a documentary film that interested me a lot.
The Documentary Films title was Press Pause Play showing how the internet, technology changed the industry.
I would recommend this film to any one who is interested in videography, photography, music, art, digital world, and media.
By the way this film is literally every where on web, free download, watch at YouTube . . . etc
Tuesday, December 13, 2011
Is this how THE SARTORIALIST works ?
I like Scott's style of photography, by saying that I mean I like the result of his photography. But I didn't know he was shooting like this. I always imagined he was shooting in more natural ways.
Update: 22nd April 2012
Interesting, looks like some one didn't like to share how Scott was actually working, or some one didn't want others to share.
Update: 22nd April 2012
Interesting, looks like some one didn't like to share how Scott was actually working, or some one didn't want others to share.
Thursday, December 8, 2011
Shooting with Film
This photograph is taken by Kodak Ektar 100 ISO, Bit too orange on skin tones don't you think? There is no editing, manipulating, retouching, only re-sized. straight from the scanner.
Photographer: Bugra ERGIL (Bruce)
Stylist: Wendy Ford
Hair & Makeup: Laura Kate Rzeminiecka
Model: Winter
Camera: Nikon F100
Lens: Nikkor 24-70mm
Film: Kodak Ektar 100 ISO
Film Scanned by: Flextight X1
Sunday, November 27, 2011
Urban Olympics (student work - test shoot)
This is one photo from my Olympia project which was given to me and my classmates from Perry Curties the editor in chief of 125 magazine.
Lights: 2 SoftBox 61cm square(singel defuse) with SB900 at 1/2 power
Camera : Nikon D700 with 24-70 lens.
Exposure: 1/100 sec at f11 - ISO 200
Photographer: Bugra Ergil (Bruce)
Stylist: Wendy Ford
Hair and Makeup artist: Laura Kate Rzemieniecka
Model: Audrey
Friday, November 11, 2011
Joe McNally "The magician of the light!"
Nikon CLS :: Joe McNally from Bertrand Haulotte on Vimeo.
Its amazing how he gets everything right in the camera, like the grey sky, put gels on the flashes and have your white balance set to tungsten.
Thursday, October 20, 2011
Medium format night out
All right, so last year Erhan and I booked a Mamiya RZ67 PROII with 120 film back for a photoshoot. We got all the 120 color films but we ended up using the Leaf Aptus 65 digital back. After the shoot we had our usual snack go back home smoke sisha drink beer, finish the retouching. Then we realized that we didnt use any of the color film we bought for the shoot. So we decided to take the Mamiya out in London and somehow we ended up in embankment at 4 am.
Today 20.10.2011 I find these negatives while I was looking through my negatives box and decided to scan them.
Here are the results
Today 20.10.2011 I find these negatives while I was looking through my negatives box and decided to scan them.
Here are the results
Wednesday, October 19, 2011
Throwable Panoramic Ball Camera
Looks interesting and fun. My sister would love this.
Also this can be useful to me for recording or documenting behind the camera at location shoots, or any photographer who wanna have an interesting view of concert, fashion show, behind the fashion show, or any crowded event.
Tuesday, October 11, 2011
360 project - Krump & Ballet
KRUMP 360 (The 360 Project) from Zelig Sound: Composition & Sound on Vimeo.
BALLET 360 (The 360 Project) from Zelig Sound: Composition & Sound on Vimeo.
The 360 Project - Behind the Scenes from Zelig Sound: Composition & Sound on Vimeo.
Its amazing how they did it. Really inspiring project.
A similar method was used in "The Matrix" but it was in half circle instead of 360 degree.
BALLET 360 (The 360 Project) from Zelig Sound: Composition & Sound on Vimeo.
The 360 Project - Behind the Scenes from Zelig Sound: Composition & Sound on Vimeo.
Its amazing how they did it. Really inspiring project.
A similar method was used in "The Matrix" but it was in half circle instead of 360 degree.
Thursday, October 6, 2011
Heaven to Hell - David LaChapelle
Heaven to hell is one of the books that a fashion photographer should have in his / her library or bookcase. The book does not contain any technical aspects of fashion photography. Its a book to look at it and to be inspired.
Saturday, October 1, 2011
UnderWater Photography - COLORS
As you may know during the summer I had LOTS of Free Time and put that free time in to good use and become a diver. It wasn't easy as easy as I imagined . . . Well theory and practice part was easy but my teachers were from military so they were strict & hard. When I took the under water photography course I learned that colors lose contrast or completely change or disappear under water.
The picture above shows in which depth colors change or disappear. (the writing is in Turkish but still you can understand)
Between 3 - 4.5 meters and below RED
In 9 meters and below ORANGE
In 18 meters and below YELLOW
Between 27 - 46 meters and below GREEN
In 46 meter BLUE
Under 46 meter DARK BLUE and PURPLE
The colors that are lost can be seen in light. So if the diver has under water light or under water flashgun for the camera then he can capture the true colors by lighting them.
The picture above shows in which depth colors change or disappear. (the writing is in Turkish but still you can understand)
Between 3 - 4.5 meters and below RED
In 9 meters and below ORANGE
In 18 meters and below YELLOW
Between 27 - 46 meters and below GREEN
In 46 meter BLUE
Under 46 meter DARK BLUE and PURPLE
The colors that are lost can be seen in light. So if the diver has under water light or under water flashgun for the camera then he can capture the true colors by lighting them.
Thursday, September 22, 2011
Saturday, September 10, 2011
Another year
Holidays are over and now I'm back home in London.
I don't know if I should be happy or sad, because I was having fun time In Turkey Doing nothing and now I'm in London which means no more laziness.
I already started preparing for my course by cleaning my cameras, lenses, buying lots of 35mm film.
Why film?
Film photography was and is the original way of photography but that doesn't make digital photography fake, digital just made everything EASIER. How ever After I watched (Annie Leibovitz: Life through a lens) I saw that in her photoshoots she uses Digital and Film both in 35mm and medium format. That inspired me on doing the same, getting each outfit with digital and then film. This way I document my shoots in digital and solid way.
By the way that's how my fridge looks like today. I was thinking of buying a mini fridge just for the Films but I think there are better things that I spend my money on these days.
I will be using Kodak Ektar 100 ISO film in all my fashion shoots, and any other 35mm film for my personal use or test shoots.
I don't know if I should be happy or sad, because I was having fun time In Turkey Doing nothing and now I'm in London which means no more laziness.
I already started preparing for my course by cleaning my cameras, lenses, buying lots of 35mm film.
Why film?
Film photography was and is the original way of photography but that doesn't make digital photography fake, digital just made everything EASIER. How ever After I watched (Annie Leibovitz: Life through a lens) I saw that in her photoshoots she uses Digital and Film both in 35mm and medium format. That inspired me on doing the same, getting each outfit with digital and then film. This way I document my shoots in digital and solid way.
By the way that's how my fridge looks like today. I was thinking of buying a mini fridge just for the Films but I think there are better things that I spend my money on these days.
I will be using Kodak Ektar 100 ISO film in all my fashion shoots, and any other 35mm film for my personal use or test shoots.
Saturday, August 13, 2011
Thursday, July 21, 2011
Monday, June 27, 2011
In Holidays & Vogue Turkey
To my readers :)
I will be having my summer holidays and very soon be working with Vogue Turkey so I wont be able to post as much as I used to.
UPDATE: Done with VOGUE, on Holidays now. (Friday 15th July 2011)
But let me tell you I already missed London, the Darkroom, studios, all the creative people I work with, working till late with photographs.
One cool thing, Blogger is unbanned in Turkey, I just found out today. ! ! !
I will be having my summer holidays and very soon be working with Vogue Turkey so I wont be able to post as much as I used to.
UPDATE: Done with VOGUE, on Holidays now. (Friday 15th July 2011)
But let me tell you I already missed London, the Darkroom, studios, all the creative people I work with, working till late with photographs.
One cool thing, Blogger is unbanned in Turkey, I just found out today. ! ! !
Sunday, June 19, 2011
Saturday, June 18, 2011
Thursday, June 16, 2011
LCC Exhibition
I went to Round About Upside Down exhibition at LCC (London College of Communication) and I came across something interesting. Most of the photographers had their business cards near their photographs and on some of the cards they have a sample of their photographs.
Here how it looks, Click on the photos to enlarge.
Here how it looks, Click on the photos to enlarge.
Monday, June 13, 2011
Behind the Camera - Before the shoot happens, Dark side of the fairytale
All the team.
Makeup artist: Su
Hair stylist: Monica
Stylist: Bella
This is the small hair and makeup room near the studios.
Monica working on Models hair.
Su doing the models makeup.
Makeup artist: Su
Hair stylist: Monica
Stylist: Bella
This is the small hair and makeup room near the studios.
Monica working on Models hair.
Su doing the models makeup.
Friday, June 10, 2011
Nostalgie with Fashion Photography
Photos are taken with Minolta X700 and 75-200mm lens.
Film Fuji Superia color 200 ISO.
Photos are developed and scanned by me and not edited.
Tuesday, June 7, 2011
Nikon D700 vs Nikon F5 analogue
Digital VS Film
I wanna point out 1 thing which wasn't a part of the video.
D700 is 12mp digital camera and look at the size of the print, this goes to people who thinks more megapixels means bigger prints.
Thursday, June 2, 2011
Fashion Photography - Dark Beauty
Here is a sneak-peek of my current project called Dark side of the FAIRYTALE. I will write more on how we come up with the idea later.
Photographer: Bugra Ergil (Bruce)
Assistant Photographer: Erhan Ozturk
Stylist: Isobella D.
Assistant Stylist: Flora M.
Makeup Artist: Su Yong Shim
Hair stylist: Sandy Monica
Model: Idina
Photographer: Bugra Ergil (Bruce)
Assistant Photographer: Erhan Ozturk
Stylist: Isobella D.
Assistant Stylist: Flora M.
Makeup Artist: Su Yong Shim
Hair stylist: Sandy Monica
Model: Idina
Saturday, May 21, 2011
Film Photography & Developing color film(C-41).
After reading the Book UNSEEN VOGUE, I got inspired by the old time fashion photographers. Before the digital photography, photographers used 35mm film and 120 films on fashion photography and I told my self how can I call my self photographer if I don't know how to Develop color films. So I decided to learn developing color films. I borrowed Nikon FM2 with 50mm 1.2 lens from my school and take photos in the weekend. So far I developed 9 rolls of 35mm color film and will develop 4 more by next Monday.
Developing color films is not as hard as it sounds.
In my schools darkroom all the chemicals are ready in the tanks and set with the temperatures.
The chemical tanks are big enough that I can develop 12 of 35mm films or 9 of 120 (medium format) films in one go.
1st chemical is Develop: Agitate for first min then stop for 30 sec than agitate for 30 sec do this for 3min and 15 sec.
2nd chemical is Bleach: Before you start anything oxygenate the bleach for 5 to 10 min (this applies if the bleach is already in a special tank for developing and has been there for a while) this is the first thing you should do when you enter the darkroom while the lights are actually on in the dark room. Agitate for the first minute than wait for 30 sec than agitate again for 30 sec, do this for 3min and 30 sec.
3rd chemical is 1st Wash which is just water (H2O): Wash doesn't have to be in 100°f , and if you are in dark room after the bleach when you put the film tray in to first wash you can turn the lights on. 2min in first wash, there is no need to agitate but you can fiddle.
4th chemical is Fix: Agitate for the first min than stop for 30 sec, agitate for 30 sec and do this for 3min 30 sec .
5th chemical is 2nd wash which is just water(H2O): just like the first wash it doesn't have to be in 100°f. keep the film tray in for 2min there is no need to agitate but you can fiddle.
6th chemical is Stabliser: Keep the film tray in for 1min and 30 sec. There is no need to agitate but you can fiddle.
After the Stabiliser take the films to drying cabin hang them and put a clip weight on bottom so they stay straight.
Developing color films is not as hard as it sounds.
In my schools darkroom all the chemicals are ready in the tanks and set with the temperatures.
The chemical tanks are big enough that I can develop 12 of 35mm films or 9 of 120 (medium format) films in one go.
1st chemical is Develop: Agitate for first min then stop for 30 sec than agitate for 30 sec do this for 3min and 15 sec.
2nd chemical is Bleach: Before you start anything oxygenate the bleach for 5 to 10 min (this applies if the bleach is already in a special tank for developing and has been there for a while) this is the first thing you should do when you enter the darkroom while the lights are actually on in the dark room. Agitate for the first minute than wait for 30 sec than agitate again for 30 sec, do this for 3min and 30 sec.
3rd chemical is 1st Wash which is just water (H2O): Wash doesn't have to be in 100°f , and if you are in dark room after the bleach when you put the film tray in to first wash you can turn the lights on. 2min in first wash, there is no need to agitate but you can fiddle.
4th chemical is Fix: Agitate for the first min than stop for 30 sec, agitate for 30 sec and do this for 3min 30 sec .
5th chemical is 2nd wash which is just water(H2O): just like the first wash it doesn't have to be in 100°f. keep the film tray in for 2min there is no need to agitate but you can fiddle.
6th chemical is Stabliser: Keep the film tray in for 1min and 30 sec. There is no need to agitate but you can fiddle.
After the Stabiliser take the films to drying cabin hang them and put a clip weight on bottom so they stay straight.
A photo of me taken by my friend Shin Ru Lu in the darkroom.
All the chemicals in order, the 1st and 2nd chemical has a little mark that glows at dark so I can see where to begin in darkroom, those glow marks don't affect the negatives unless you literally put the negatives on them. (many people might think there is red safety light here but there is no red safety light, once the lights are out you are no different than a blind person)
Unseen VOGUE, the secret history of Fashion Photography
Really interesting book. I think who ever is interested in fashion photography and wants to work with or work for Fashion magazines should take a look at this book.
Friday, May 13, 2011
Tuesday, May 10, 2011
Outdoor lighting: Fashion & Glamour
(click on the image to enlarge)
A helpful book which will help photographers to combine daylight and artificial light.
Tuesday, April 26, 2011
Fashion Photography - Hat
Camera: Mamiya RZ67 Pro II
Back: Leaf Aptus 65
Lens: 110mm
Photographer: Bugra ERGIL (Bruce)
2nd Photographer: Erhan OZTURK
Stylist:Anastasia Taneeva
Hair & Makeup: Rempi
Model: Olivia
Tuesday, April 19, 2011
Monday, April 18, 2011
Inspired by Johnny Boylan.
Photograph by Johnny Boylan.
Camera medium format 6x7cm
Lens: 180mm
Source: Photographing People
Photographer: Bugra Ergil
Camera: Nikon D700
Lens: 70-200mm VRII
Sunday, April 17, 2011
Behind the Camera - Beauty shoot.
Erhan playing with the lighting setup.
Anastasia having fun on the chair.
Rempi is concentrated to Olivia's face.
Rempi is concentrated on Ariana's face.
Me, playing with Mamiya RZ67 with Leaf Aptus Digital back.
Saturday, April 16, 2011
Fashion Photography - Deep in to her eyes.
Camera: Nikon D700
Lens: Nikkor 70-200mm VRII
Exposure: 1/160sec at f/3.5
ISO 200
Light: 2 KinoFlo
Light: 2 KinoFlo
Team:
Photographer: Bugra ERGIL(Bruce)
2nd Photographer:Erhan Ozturk
2nd Photographer:Erhan Ozturk
Stylist: Anastasia Taneeva
Makeup & Hair: Rempi
Model: Ariana
Friday, April 15, 2011
Studio Setups
Here are some of the studio lighting setups my colleague Erhan and I have drawn.
Click on the Images to enlarge.
Saturday, April 9, 2011
Fashion Photography - Blue
Camera: Nikon D700
Lens: Nikkor 70-200mm VR2
Team:
Photographer: Bugra ERGIL
2nd Photographer: Erhan Ozturk
Stylist: Anastasia Taneeva
Makeup Artist: Rempi Tkhar
Model: Ariana Anast
Wednesday, March 30, 2011
Tuesday, March 29, 2011
Room #12
Exposure: 1/25 sec at f / 7.1
ISO: 200
Camera : D700
Lens: 24-70mm
Low shutter speed to add ambient light.
Team:
Photographer: Bugra ERGIL (Bruce)
2nd Photographer: Erhan OZTURK
Stylist: Anastasia TANEEVA
Model: Bodo
Saturday, March 19, 2011
Friday, March 18, 2011
Location permissions
Photographing in Location is not as easy as it looks. One can't just go and take photos in location with out permission or with out informing the responsible person about the location. On location photography everything must be arranged and planned before, specially if the location is private property. Photographer might have to sign risk assessment papers in order to have the permission for the photo shoot.
Here are 2 examples of risk assesment papers I had to fill.
Click on the images to enlarge.
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